Monday, August 08, 2011

hand crafted music for your live listening pleasure

This Friday at the Makeout Room is a rare treat:  77 El Deora with Jeffrey Luck Lucas.

It's an early show, 7:30 to 9:30 and will start your weekend off right.  We could all use this this music to soothe our savage breasts.  The Makeout Room is at 3225 22nd Street in the Mission.

Liner notes:
MAURICE TANI: 77 EL DEORA 
(Jenn won't be at this show. Maurice & Co. go it alone...)
Set in an emotionally bleak California dystopia, where the just-foreclosed suburbs infest the ranch and farm land, this uncanny concept CD is a blast of Bakersfield with a ground-cover of Weeds. The music is The Buckaroos with bravura and pop touches--traces of Roy Orbison, The Mavericks, even Burt Bacharach. (Interesting use of III chords, for you music nerds.) Tani is the writer, the arranger, the baritone who may have listened to Texas Playboys’ singer Leon Rausch once or twice. The songs are truly for grownups. This is thoughtful, heart-wrenching stuff about human asteroids that wonder where and how they lost their way and if there is a GPS that works. The songs are also darkly funny comments on such faves as power, desire, adrenalin, ambivalence, and narco squad surveillance. Highlights include torch song "Rain," George Jonesian "Shattered," not-ready-for-Oprah "I Just Dodged a Bullet," etched-in-angst "Radio City"...
-Jeep Rosenberg, Freight Train Boogie.
JEFFREY LUCK LUCAS
Darkly gorgeous, unexpectedly uplifting, these nine slow-moving songs traverse desolate nighttime landscapes where conversations in road-houses and at neon-lit kitchen tables drift suddenly from trivialities to life-altering truth. The coffee turns cold, the cigarettes burn down, and all of the sudden someone you love is looking you in the eye, demanding, "Tell me why / your kindest words are just shy of lies." Jeffrey Luck Lucas, a SF-based songwriter who got his start with garage-Kinks The Morlocks before earning a masters in cello composition and performance, is not one to shy away from the confrontational in this, his second solo album. Still, his voice is so gentle and mournful, his arrangements so supple and glowing that you don't see the knife right away...or perhaps, if you're unlucky, at all...
 
-Jennifer Kelly, Dusted Magazine

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