ACT house performances tend to be hit or miss, either exciting or snoozers. I don't really know what to make of this one. It is yet another eastern European high-concept drama, but
this one is a post WWII communist take on a play within a play of a 15th century story with all-familiar elements.
I don't really know what to make of this one, but I liked it.
It is also one of the few, if only, plays that I read up on prior to viewing, so while the set up and setting were a bit confusing, I had some clue as to what was going on. Basically, if you read up on it before going or not, just go along with it and you'll be glad you did.
I appreciate and applaud the director's deliberate choice to have no announcements and no rising of the curtain, just the gradual appearances of actors on the stage and the story commencing. What does not come across, save for the one gesture of handing an apparent newcomer (the soldier) a script page, is that the entire performance is supposed to be a sort of play within a play. None of the people particularly look like their characters. And judging by conversations at intermission and the reception, I was one of the few that was happy to have a soiled pillow as the stand in for the baby/child. Personally, and especially for a show such as this where the audience has to project much into the experience, I would much rather have a blank pillow than a plastic doll. Honestly, the doll would have been distracting. A plastic doll is clearly and harshly not a real baby. But in the realm of pretend, a pillow
could be.
A co-worker asked me today what I thought about it, and if I thought he would like it. My short answer is this: If you are a theater person, you'll dig it. Just run with it and you'll have a good time. But the actors are trying to take you someplace foreign with them and you have to agree to take the trip.
If you are not so much a "theater" person, you too will enjoy the show, but you have to be willing to let go.
Helpful hint to getting the context: Think of a community of people huddled in Bosnia or some place under frequent shelling. They are putting on a play with no costumes and minimal whatever-is-at-hand props. And they are putting on this play for you come Hell or high water and even though shells occasionally knock over part of their stage and building. They are performing this play for you, the act itself being a commentary on the war raging outside their precarious walls. The soldier who dives into the room for shelter during the opening is handed a page and he partakes in the play, appropriately enough as "the solder."
I did speak to several people after the show who didn't much care for the play. But no one could criticize the acting, which truly made this performance. The acting was superb.
René Augesen only gets better and better with each role and I am afraid that stellar performances are going to become too old hat for her and she might move on to other things. I just hope she works on her personal shyness and stays behind to mingle with the Out with ACT receptions one night.
Tony Fusco is also his usual tremendous self and lilts from character to character with an easy grace. The problem with these two (René and Tony) is that by delivering such consistently good performances we will expect nothing less from them ever again.
Jack "Big Daddy" Wills retains his general Big Daddy comportment, but as such is perfectly cast in his role(s) for this production. ACT company regular
Gregory Wallace can always be counted upon for a comedic flare, and does not disappoint in both dramatic and comic-relief turns in this performance. New to the ACT stage are, well I hate to say "leads" as it is such an ensemble production but they are the central characters, are the amazing
Omozé Idehenre who hits it out of the theater with this performance, and the young and
adorable Nick Childress who shows his ACT MFA chops in the role of "the soldier."
Of course, as usual there was plenty of off-stage drama at the reception afterward.
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Lots of love to hosts Randy, Darren, Christie, and Max, and to new Out with ACTers but old friends David and Sean.
And shouts to Rob Forni (his
serious new beard) and his beau Steven for charming midnight dinner company post-reception at the Globe. And I should say the production at the Globe was
superb as always.